The video installation: a grid of eighteen videos playing simultaneously. When I am creating work, I always do a lot of research. I travel a lot and use the impressions and experiences from these travels in the next steps of the creation process. For The Weather Forecast, I visited a man in South Holland that had rebuilt Noah’s Ark, according to the measurements that are given in the Bible. He did this because he believed that another deluge will soon be upon us
The video installation: a grid of eighteen videos playing simultaneously. I definitely think that my cultural perspective plays a big role in my work. Concerning the Weather Forecast: I grew up in the Netherlands, which largely lies below sea level and faces a serious flood risk with the melting of the polar ice caps. Also, I myself am a person that enjoys water recreation, while also seeing the images of people surviving on water, or fleeing from water. Through my upbringing and education, I strongly believed that everyone deserves equal opportunities and that we shouldn’t distrust other cultures. This stems from a post-war climate in the Netherlands. I am now struggling with the current socio-political context that is very different. To me, it seems that the language and the values that my generation grew up with have been replaced with anger and fear. Of course, I often wonder whether the values I was taught were sincere and universal to begin with
The video installation: a grid of eighteen videos playing simultaneously. For the Weather Forecast, I was looking for images that have somehow become embedded in our collective memory. Images that were created by stories we were told, or images that we saw on the news. In a lot of cases, I found this type of footage online, in other cases, I created material. Generally, in my work, I really enjoy creating my own material, but sometimes found footage tells a better story. In this work especially, the juxtaposition of footage recreates our experiences with the constant input of the media and the effect this has on our collective memory