I set up an open studio on the beach, so visitors could see how the images for the myths were made. I made cyanotypes: prints exposed by sunlight. Instead of rinsing them with tap water, I developed them in the water of the IJmeer. That way the water itself leaves its traces on the paper.

Beachgoers walked in, watched and suggested what should happen next in a story. The prints hung to dry on a line in the tent, between the wind and the sun.